Contact: zittacat@yahoo.co.uk

Arrangements – Transcriptions – Score Creation

Arrangements

Melodiarium, 20 tancov na Nápěvy starých slovenských zpjvanek od urozené panj Anny Szirmay rozené Keczer (Melodiarium, 20 dances on Tunes of Ancient Slovak Songs from Gentlewoman Anna Szirmay born Keczer ) – strings, hpd – 1980 – MS

Tanečná suita podľa Vietorisovej tabulatúry (Dance Suite after Vietoris Tablature), 22 dances – strings (a 3, a 5), hpd – 1985 – MS

1730 Hungarici Saltus a Dionisio – a/ 20 dances – vln, BC; b/ 8 duets – 2vln, BC; c/ 2 songs – v, strings, BC – 1982 – MS

Zo starých albumov (From Old Albums), 200 dances – 1 instr, BC – 1985 – a/ 42 dances from Vietoris Tablature; b/ 55 dances from Pestrý zborník; c/ 13 suites from Hudobný štvorlístok by Daniel Speer (1697); d/ 24 hajdu dances from Melodiarium by Anna Szirmay Keczer – Ed.: OPUS 1989, 1992 (c, d)

Vianoce v Chrenovci (Christmas in Chrenovec) – CM, org – 1992 – arrangements of Christmas pieces from the collection Pisňe pastoralne by Gašpar Drost (1840?) – MS; A/ Omša Na Božie Narodenie (Kyrie – Kyrije elejson, radosť prišla šuhajom, Gloria – Slava Bohu na ňebi, Credo – Hojže mili bratrove, Sanctus – Svati, svati, najsvaťejši, Agnus Dei – Už sme Ježiška viďeli, Dona Nobis – Kdiž sme ťeba Jezulatko); B/ Omša Na Nový rok (Kyrije – Kirije, kirije, dobre je, Gloria – Slava Bohu na ňebi, Credo – Verime verime Pana Jezu Krista, Sanctus – Svati, svati, svati spivajme, Post Elevationem – O blahoslaveňi všetci kresťani, Agnus Dei – O beranku Boži, Aria – Ach daj nam svati pokoj; C/ Pisňe pastoralne: Stavaj hore stavaj bača; Zhúru pastuši; Hore vstavajte valasi; Bratru Matúši; Cit, cit, Gyuro počuvaj; Martinku z majera co děláš – Daj Boh šťastia tejto zemi

Christmas Songs – v, strings, org – 2006 – 1. In dulci jubilo; 2. Angelus ad virginem; 3. Nun komm der Heyden Heyland; 4. Pass three o’clock; 5. What it is; 6. Ding! Dong! Merily on high (arrangements of Christmas songs) – MS

Maykomashmalon – a/ alto solo, vla, vlc; b/ alto solo, vla solo, strings, hp, CM (SATB); c/ alto solo, pno; d/ alto solo, vln, vlc, pno – 2005, 2006 (c) – 4’ – T.: Avrom Reisen (Yiddish) – Ed.:

Transcriptions

Béla Bartók: Ukoliebavka z cyklu Dedinské scény (Lullaby from the cycle Village Scenes) – v, 2vln, vla, vlc – 2001

Iva Bittová: Tri piesne (Three Songs) (I. Déšť, když prší; II. Zapískej; III. Huljet) – v, orch – 2005

William Byrd: The Bells – 2vln, vla, vlc – 1992

William Byrd: Ground – 3vln – 2001

Ján Cikker: Desať uspávaniek pre alt a klavír (Ten Lullabies for alto and piano) – 2010

Claude Debussy: Cake-walk – 2vln, vla, vlc – 1986

Claude Debussy: Piesne (Songs) (I. Les Cloches, L’ame évaporée, Beau soir, Paysage sentimental, Voici que le printemps; II. Nuit d’étoiles, Pierrot, Dans le jardin, Rondel chinois, Fleur de blés; III. 5 Trois chansons de Bilitis: La flűte de Pan, La chevelure, Le tombeau des Naiades) – v, orch – 1991–1993

Claude Debussy: Les Cloches, Nuit d’étoiles – vla, pno – 2000

Claude Debussy: Six épigraphes antiques – strings – 1981 (lost)

Edvard Hagerup Grieg: Arietta, Voglein, Berceuse, Badnlat, Efterklang (Lyrical pieces, Op. 12/1, Op. 43/4, Op. 38/1, Op. 68/5, Op. 71/7) – vln, pno – 1990

Leoš Janáček Moravská lidová poezie v písních (Moravian Folk Poetry in Songs) (52 songs) – v, 2vln, vla, vlc – 2002–2003

Johann Sigismund Kusser: Marche – orch – 1987

Astor Piazzolla: Oblivion – vla, pno – 2001

Maurice Ravel: Kaddisch – vln/vla, pno – 1986

Maurice Ravel: Kaddisch – v, baroque ensemble – 2001

Antonín Rejcha: 12 fugues (č. 12, 34, 32, 13, 33, 7, 10, 25, 18, 24, 16, 36) – 2vln, vla, vlc – 1986

Eugen Suchoň: Nocturne for violoncello and orchestra – vlc, pno – 2000

Score Creation

Alexander Albrecht: Collected Songs

Alexander Albrecht: Piano trio F Minor

Alexander Albrecht: Dolorosa for choir and orchestra

Anon.: Pastorella ex A. Coelo de lapse

Ján Levoslav Bella: Adiutor meus, gradual for soprano and orchestra

Ján Levoslav Bella: Adorabo ad templum sanctum for choir and orchestra

Ján Levoslav Bella: Ad te Domine levavi for bass and string orchestra

Ján Levoslav Bella: Ach, bis zum Tod, Passionskantate für Chor, Basso Solo und Orchester

Ján Levoslav Bella: Alleluja. Emitte Spiritum tuum et creabuntur for eight male voices (male doublechoir)

Ján Levoslav Bella: Apotheose, cantata for soprano, bass, choir and orchestra

Ján Levoslav Bella: Asperges for choir and orchestra

Ján Levoslav Bella: Ave Maria for choir and orchestra

Ján Levoslav Bella: Ave Maria for soprano, clarinet and string orchestra

Ján Levoslav Bella: Ave Rex noster, motet for soprano, violin and organ (harmonium)

Ján Levoslav Bella: Ave verum corpus natum, offertory for soprano and chamber orchestra

Ján Levoslav Bella: Ballade aus den Lustigen Weibern for alto and orchestra

Ján Levoslav Bella: Benedicta et venerabilis, gradual for soprano and wind instruments

Ján Levoslav Bella: Bergglocke, song for soprano and orchestra

Ján Levoslav Bella: Christus hat geliebt die Gemeine, Easter Cantata for bass, choir and orchestra

Ján Levoslav Bella: Deus meus, ad te de luce vigilo, offertory for soprano and orchestra (2 versions)

Ján Levoslav Bella: Diffusa est, offertory for soprano and string orchestra

Ján Levoslav Bella: Domine, exaudi orationem meam for soprano, alto and orchestra

Ján Levoslav Bella: Ecce panis angelicus, gradual for bass and string orchestra

Ján Levoslav Bella: Ehre sei Gott! for soprano, choir and orchestra

Ján Levoslav Bella: Es ist ein köstlich Ding, cantata for choir and orchestra

Ján Levoslav Bella: Festive Mass E Flat Major for soli, choir and orchestra

Ján Levoslav Bella: Gott höre mein Gebet, cantata for soprano and orchestra

Ján Levoslav Bella: Gott, sei mir gnädig, Reformationskantate for bass, choir and orchestra

Ján Levoslav Bella: Heil'ge Nacht for bass and orchestra

Ján Levoslav Bella: Hodie Christus natus est for soprano and orchestra

Ján Levoslav Bella: In Deo speravit cor meum, gradual for bass, choir and orchestra

Ján Levoslav Bella: Intende for soprano, violin, string orchestra and harmonium

Ján Levoslav Bella: Laboravi in gemitu meo for soprano and orchestra

Ján Levoslav Bella: Litaniae de Sanctissimo Nomine Jesu for choir and orchestra

Ján Levoslav Bella: Lobe den Herrn!, Geistlicher Festgesang for male choir and orchestra (2 versions)

Ján Levoslav Bella: Lobet den Herrn, alle Heiden for bass, soprano, choir and orchestra

Ján Levoslav Bella: Mass A Major for choir and orchestra

Ján Levoslav Bella: Mass E Flat Major for choir and orchestra

Ján Levoslav Bella: Mass in Bb for choir and orchestra

Ján Levoslav Bella: Mein Friedhof, song for soprano and orchestra

Ján Levoslav Bella: Muses for violin and piano – Ed.: Music Centre

Ján Levoslav Bella: O komm, mein Heiland, Geistliches Lied for male choir and brasses

Ján Levoslav Bella: O salutaris hostia for alto and orchestra (2 versions)

Ján Levoslav Bella: Protector noster (G) for soprano and orchestra

Ján Levoslav Bella: Requiem C Minor for soprano, choir and orchestra

Ján Levoslav Bella: Rorate coeli (Träufelt, ihr Himmel) for soprano and orchestra

Ján Levoslav Bella: Sonata B Minor for piano (revised version) – Ed.: Music Centre

Ján Levoslav Bella: Sunday Mass No. 6 C Major for choir and orchestra

Ján Levoslav Bella: Sunday Mass No. 9 D Minor for choir and orchestra

Ján Levoslav Bella: Tantum ergo for choir and orchestra

Ján Levoslav Bella: Te Deum E Flat Major for alto, choir and orchestra

Ján Levoslav Bella: Terra tremuit for soprano and orchestra

Ján Levoslav Bella: Uns ist zum Heil ein Kind geboren, Christmas Cantata for choir and orchestra

Ján Levoslav Bella: Veni sancte spiritus for choir and string orchestra

Ján Levoslav Bella: Verbum caro for soprano, strings and harmonium (2 versions)

Ján Levoslav Bella: Verzage nicht, du Häuflein klein for choir and brasses

Ján Levoslav Bella: Weihelied for male choir and brasses

Ján Levoslav Bella: Wende dich zu uns, o Herr, cantata for choir and orchestra

Ján Levoslav Bella: Wie lieblich ist deine Wohnung for soli, choir and orchestra

Philipp Frideric Buchner: Harmonia instrumentalis Duobus Violin, & Fagotto Cum Basso continuo. Op. 5. Mainz 1664 (12 sonatas)

Giovanni Battista Buonamente. Il quarto libro de varie Sonate, Sinfonie, Gagliarde, Corrente, e Brandi Per sonar con Due Violini, & vn Basso di Viola. Venice 1626 (10 sonatas, 10 sinfonias, 11 gagliardes, 12 correntes, 4 brandis, Le tanto tempo hormai, Ballo del Gran Ducca)

Dario Castello: Sonate concertate In stil moderno, per sonar nel Organo, overo Spineta con diversi Instrumenti. A 2. é 3. voci. Con Basso Continuo. Libro primo. Venice 1628 (12 sonatas)

Samuel Capricornus: Te Deum

Emilio del Cavalieri: Rappresentatione di Anima, et di Corpo. Roma 1600

Mauritio Cazzati: Il secondo libro delle sonate, a una, doi, tre, e quattro. Op. 8. Venice 1648 (14 pieces)

Giovanni Paolo Cima: 4 sonatas and 2 capriccios (1610)

Joannis Cserney: Pastorella de N. D. J. X.

Joannis Cserney: Pastoricum Finale

Anton Czermák: Pastorella pro Nativitate Jesu Christi a Canto Solo et Organo (1832)

Ernő Dohnányi: Sonata Bb Major for piano fourhanded (1899)

Ernő Dohnányi: String sextet Bb Major (3rd version 1899)

Fraňo Dostalik: Sonata for violin and piano No. 4

Andrea Falconiero: Il primo libro di canzoe, sinfonie, fantasie, Capricci, Brandi, Correnti, Gagliarde, Alemane, Volte per Violini, Viole, ouero altro Stromento a vno, due, e tre con il Basso Continuo. Napoli 1650 (30 pieces)

Giovanni Battista Fontana: Sonate a 1. 2. 3. per il Violino, o Cornetto, Fagotto, Chitarone, Violoncino o simile altro Istromento. Venice 1641 (18 sonatas)

Joannis Np. Gabryel: Pastorella vel Gratulatia de Novo Anno

Marco da Gagliano: La Dafne. Florence 1608

Leopold Koželuh: Concerto for piano and orchestra A Major

Leopold Koželuh: Concerto for piano and orchestra E Flat Major

Giovanni Antonio Leoni: Sonata prima (Sonate di violino a voce sola, Op. 3, 1652)

Biagio Marini: Affetti musicali. Op. 1. Venice 1617 (3 balletti; 11 symphonies, 3 sonatas, 3 canzonas, 2 arias, 2 brandis, gagliardes, 2 corenti)

Biagio Marini: Diversi generi di Sonate, da Chiesa, e da Camera, a Due, Tre, + a quattro per ogni sorte d’stromento musicale. Con l’Alfabeto alle piu`  proprie, per la Chitarra alla Spagnola a beneplacito. Libro Terzo. Op. 22. Venice 1655 (4 balletti, 4 zarabandes, 4 correnti, 6 sinfonias, 6 sonatas, Passacalio)

Biagio Marini: Scherzi e canzonetti a una, e due voci accomodate da cantarsi nel Chitarone, Chitariglia, & altri Stromenti simili: Con i suoi Ritorneli per il Violino, e Chitarone. Op. 5. Parma 1622 (19 pieces)

Biagio Marini: Sonate Symphonie, Canzoni, Passemezzi, Baletti, Corenti, Gagliarde, & Retornelli, A 1. 2. 3. 4. 5. & 6. Voci, per ogni sorte d’Instrumenti, Vn Capriccio per Sonar due Violini Quattro parti. Vn Ecco per tre Violini, & alcune Sonate Capriciose per Sonar due e tre parti con il Violino Solo, con altre curiose & moderne inuentioni. Op. 8. Venice 1629 (20 sonatas, 2 capriccios, 5 sinfonias, 8 baletti, 12 correnti, 4 gagliardes, 8 ritornellos, 10 canzonas, pass’e mezzo concertato)

Joannis Martos: Sonata Pastoralle. Presto in C

Johann Pachelbel: Ciacona (2vn, BC) (Musicalische Ergötzung. Partie V.)

Gasparo Pietragrua: Partitura delli concerti, et canzon francese a una, due, tre, e 4. voci… Lib. I. Op. 1 (4 canzonas)

Leopold Reirhart: Pastorella in G

Salamon Rossi Hebreo: Il primo libro delle Sinfornie et Gagliarde a tre, quatro & a cinque voci. Per sonar due Viole, ouero doi Cornetti, + vn Chittarrone o altro istromento dacorpo. Benátky 1607 (15 sinfonias a 3 voci, 2 sinfonias, 2 gagliardes a sonata a 4 voci, 3 sinfonias, 3 gagliardes a Passeggio d’vn balletto a voci).

Salamon Rossi Hebreo: Il secondo libro delle sinfornie e Gagliarde a tre voci, per sonar due Viole, + vn Chittarrone con alcune delle dette a Quattro, + a Cinque, + alcune Canzoni per sonar a quattro nel fine. Venice 1608 (21 sinfonias a 3, 4 sinfonias and gagliarde a 4, 5 sinfonias and gagliarde a 5, 3 canzonas per sonar a 4)

Salamon Rossi Hebreo: Il terzo libro de varie sonate, sinfonie, gagliarde, brandi, e corrente per sonar due Viole da braccio, + vn Chitarrone o altro stromento simile. Op. 22. Venice 1613 (4 sonatas)

Salamon Rossi Hebreo: Il qvarto libro de varie sonate, sinfonie gagliarde, brandi, e corrente per sonar dve violini et vn chitarrone o altro stromente. Benátky 1642 (12 sonatas, 6 sinfonias, 8 gagliardes a 8 correnti, 2 brandi, Sonata a Quattro Violini, e doi Chittarroni)

Daniel Speer: Choral Gesangbuch auff das Clavir oder Orgel 1692 (316 pieces)

Daniel Speer: Pieces for five string instruments (1685, 1697) – (40 pieces)

Daniel Speer: Pieces for string instruments (1685, 1688, 1697) – 10 skladieb (5 sonatas, 2 capriccios, 2 giques, 1 aria)

Daniel Speer: Pieces for wind instruments (1685, 1688, 1697) – 29 pieces (8 Aufzug, 6 Stücklein, 15 sonatas)

Georg Philip Telemann: Gulliver-Suite, Suite in A, Duetto, Sonate (in G) for viola and basso continuo, Sonate (in B) for viola and basso continuo (Der getreue Musicmeister. Hamburg 1728)

Marco Uccelini: Sonate over canzoni da farsi a Violino solo, et Basso Continuo. Op. 5. Venice 1649 (14 pieces)

Marco Uccelini: Sonate correnti, et arie da farsi con diuersi Stromenti si da Camera, come da Chiesa. A uno a due & a tre. Op. 4. Venice 1645 (30 sonatas, 20 correntes, 15 arias)

Joseph Umstatt: Concerto (in A) for violin and orchestra

Joseph Umstatt: Concerto (in F) for violin and orchestra

Joannis Wozary (Pruské, 1731): Cursus Pastorum Natalitius. Pastorella (Menalca Surge illico)